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The potter's craft is give and take. Pressure brings a lump
of clay under control, but it is a gentle hand that guides
a pot during its creation.
James
Rice and Steve Kravec know how clay feels. For years they
have pushed, pulled, rolled and poured it into an abundance
of forms, then glazed it, fired it and produced something
greater than the sum of its parts. They are artisans, passionate
about pottery, and they have found Southwest Florida to be
a perfect environment to pursue careers in clay.
James
Rice
Under
a green canopy of tropical trees, white and purple bougainvillea
cascade down a corner of Jim Rice's office at The Clay Place.
Inside the compound of low stucco buildings, a fountain embedded
with colorful elay fish platters gurgles quietly in a grove
of bamboo.
"I
bought this place because of the vegetation," Rice said
with a sweeping gesture of his pottery studio, "It's
a great environment to work in."
His two
huge Dalmations, Glaze and Platter, dutifully patrol the area
and wag tails amiably for friends.
In 193,
after coming to Naples to visit his parents, Rice decided
he had found a good place to set up his wheel. The Clay Place
has been Rice's Shadowlawn Drive studio for 14 years.
Rice loves
life, whether it's in the form of Southwest Florida's lush
landscape, in the spirited explosion of hues that give his
clay work its character, or in his own family - Barbara, Rice's
artist wife, young daughter Anna and new baby born this week.
"God
inspires me, good friends inspire me, the weather down here,
the friendly folks, I'm just getting ready to through a bunch
of pots and I'm sure Barney's going to inspire a couple."
Rice said referring to the children's television character.
Rice's
rainbow fish platters have become his trademark. "It
all started as a way to take a filet out of the oven and straight
to the table. They really took off." said Rice.
"The
fish are nice, because you can make a thousand different designs
and they're not right or wrong. I try to put six to eight
colors on everything. My basic attitude is that good art doesn't
have to match your couch."
Rice has
about 150 dealers who sell his fish, with several locations
in Naples, including Boat Haven, The Mole Hole, Willford &
Lee, Exquisite and the Naples Beach Hotel & Golf Club.
He also doesn't quite a bit of custom work, even fabricating
tile fireplaces.
"The
fish are my bread and butter," Rice explained.
Originally
from Ohio, where he received his technical training at Ohio
State University, Rice has become one symbol of Naples art.
When the historic Naples Beach Hotel & Golf Club began
several years ago to redecorate using local artists' work,
Rice was one of those chosen to contribute. His popular fish
became distinctive room, patio and hallway signs.
One
of Rice's original goals - wish the fish platters accomplished
long ago - was to provide people with functional pieces that
they could use every day.
I
take it for granted, but there are people who have come through
the studio who have never seen a hand made vessel, never seen
anything made on a potter's wheel. They have never seen a
coffee mug other than the kind you buy at Publix for a buck
forty nine," said Rice, "a mug I make is signed
and dated on the bottom - it has a handmade feel. So for $12.50
I make a point. I try to raise people's consciousness."
Rice's
fish platters inadvertently have a also inspired outdoor pieces
such as stepping stones, mosaic picnic tables and benches,
and the fountain.
"Fish
would come back from the stores broken, and I hated to throw
them away," said Rice. "You know, I just spend so
much time and energy making these things."
Energy
is something Rice seems to have a lot of. He tries to work
in the studio from 10 to 5 on weekdays and all day Saturday
- in addition to running an aquatic wheelchair business. Rice
is also very active with the Rotary in town. Clay has its
hold on him, though.
"I
can spend my whole life just working with clay and not scratch
all the different areas," said Rice. "Potters are
like birds, they all have their own songs. I make pottery
one way, Steve Kravoc makes it another way - that is the beauty
of the medium."

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